Here are 28 books that Inspectr Roderick Alleyn fans have personally recommended once you finish the Inspectr Roderick Alleyn series.
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I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim.
I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.
In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
Authenticity appeals to me the most. Donna Fletcher Crow shares my love of Celtic Christianity and meticulously researches her deeply evocative settings. She set out to write a nonfiction book about Pilgrimage. It never got written, but the profoundly resonant places she visited inspired A Very Private Grave.
Felicity is studying at a monastery when her favorite monk is bludgeoned to death. Fr Antony is soaked in his blood. Yet soon the two of them are on the run from the murderer. Their flight takes them to some of my favorite places–the holy island of Lindisfarne, Ninian’s hermitage at Whithorn, Hilda’s clifftop monastery at Whitby, Jarrow, that nurtured Bede, and St Cuthbert’s grave in Durham Cathedral. The settings are vividly brought to life, making this book a rich experience.
Felicity Howard, a young American studying at the College of the Transfiguration in Yorkshire, is devastated when she finds her beloved Fr. Dominic bludgeoned to death and Fr. Antony, her church history lecturer, soaked in his blood ... 'A Very Private Grave' is a contemporary novel with a thoroughly modern heroine who must learn some ancient truths in order to solve the mystery and save her own life as she and Fr. Antony flee a murderer and follow clues that take them to out-of-the way sites in northern England and southern Scotland. The narrative skillfully mixes detection, intellectual puzzles, spiritual…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
I love English boarding school mysteries, and this one is told with a witty, humorous voice that kept me laughing. Throw in a lost Shakespeare play, an intriguing plot, and a lot of charm and humor, and this one had me hooked. Edmund Crispin was known for his erudite wit and huge vocabulary. I learned quite a few new words here.
The characters were fun and quirky, and the plucky teenage girl who’s smarter than the adults makes this book one of my favorite mysteries of the “golden age.”
As inventive as Agatha Christie, as hilarious as P.G. Wodehouse - discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best.
Castrevenford school is preparing for Speech Day and English professor and amateur sleuth Gervase Fen is called upon to present the prizes. However, the night before the big day, strange events take place that leave two members of staff dead. The Headmaster turns to Professor Fen to investigate the murders.
While disentangling the facts of the case, Mr Fen is forced to deal with student love affairs, a kidnapping and a lost Shakespearean manuscript.…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.
Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.
"It has the delicious irresponsibility of a Wodehouse plot. . . . It's one of the funniest books we've read in a long time. It contains a great deal of shrewd satire."—The New York Times Multimillionaire and philanthropist Hugo Weiss is known in every capital of the Western world as a munificent patron of the arts. When Weiss suddenly vanishes while on a visit to Paris, his disappearance sets the stage for this uncommonly witty and urbane mystery. Homer Evans, an intrepid American detective, turns his keen intellect and remarkable intuition toward solving the puzzle of the financier's disappearance. Assisted…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
No fake this time. Instead, a likely real but unknown Cézanne portrait sends Antoine Verlaque, chief magistrate of the artist’s hometown, Aix-en-Provence, to identify the sitter, authenticate the painting, and find out who killed to get hold of it.
I love how the story shifts back and forth between the present, as Verlaque and his partner track down the thief and murderer, and 1885 when Cézanne meets the woman in the portrait. Longworth beautifully evokes the town’s atmosphere—I could almost smell the delicious aroma wafting from the pastry shop that provides the vital clue.
A beguiling mystery that finds Verlaque and Bonnet searching for a murderer—in a crime tied to Provence’s greatest artist
Provençal Mystery Series #5 Watch the series! Murder in Provence is now on Britbox.
A friend in his cigar club asks Antoine Verlaque to visit René Rouquet, a retired postal worker who has found a rolled-up canvas in his apartment. As the apartment once belonged to Paul Cézanne, Rouquet is convinced he’s discovered a treasure. But when Antoine arrives at the apartment, he finds René dead, the canvas missing, and a mysterious art history professor standing over the body.
I love reading mysteries, ever since I started back in junior high with Hercule Poirot, I have loved an atmospheric murder and ensuing investigation. As I’ve gotten older and started writing my own books, though, I’ve gotten pickier about what kinds of detective novels I can stick with—I now require that they also be excellent on the sentence level, which isn’t always easy to find. I also find that I gravitate towards books that have pockets of dry humor from time to time and a unique investigator.
There are 25 (!) books in the Rebus series by Scottish writer Ian Rankin, which is really great news for everyone because they are all really good. Each book can be read as a stand-alone as well, so don’t be daunted. This one is one of my favorites because it has a cool twist and it’s very moody.
Inspector John Rebus, who is (as many mystery protagonists are) a gifted detective who doesn’t always play by the rules, has been sent a way to a kind of Scottish re-training course for senior offices who have been bad. The dialogue is very good here, not to mention the many gritty descriptions of Edinburgh.
The thirteenth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES
'No one in Britain writes better crime novels' Evening Standard
'This is Rankin at his best, and, boy, that's saying something' TIME OUT
Rebus is off the case - literally. A few days into the murder inquiry of an Edinburgh art dealer, Rebus blows up at a colleague. He is sent to the Scottish Police College for 'retraining' - in other words, he's in the Last Chance Saloon.
Rebus is assigned to an old, unsolved case, but there are those in his team…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.
We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.
This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.
Classic Crime from the Golden Age, the first in the Albert Campion Series. Margery Allingham is J.K. Rowling's favourite Golden Age author.
George Abbershaw is set for a social weekend at Black Dudley manor, hosted by Wyatt Petrie and his elderly uncle Colonel Combe, who enjoys the company of Bright Young Things. With Meggie Oliphant in attendance, George looks forward to the chance of getting closer to the girl he's set his heart on. But when murder spoils the party, the group soon find out that not only is there a killer in their midst, but the house is under…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
With the true account of Vincenzo Perrugia’s 1911 theft of the Mona Lisa as its framework, Santlofer’s story follows the thief’s fictional great-grandson on a quest to learn whether the painting now in the Louvre is the original or a brilliant fake.
I’m a fan of all the author’s art-world mysteries, but this one is especially engrossing for its international settings, engaging characters, deftly plotted intrigue, and clever dénouement. As an artist himself, Santlofer weaves in technical details that make the forgery scheme all the more plausible.
ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER! "Unstoppable what-happens-next momentum."-Michael Connelly, #1 New York Times bestselling author "A deliciously tense read."-Ruth Ware, #1 New York Times bestselling author From award-winning crime writer and celebrated artist Jonathan Santlofer comes an enthralling tale about the 1911 theft of the Mona Lisa from the Louvre, the forgeries that appeared in its wake, and the present-day underbelly of the art world. August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more…
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
This book was published in 1946, at the end of the 2nd World War, by a writer who had been a model, a dancer, a shop assistant, and a governess, as well as a Voluntary Aid Detachment nurse in a rural hospital, which is where this wartime story is set.
For me, it’s the ultimate "closed circle" whodunnit, where an ever-decreasing group of suspects is trapped together, in this case surrounded by wounded and dying soldiers. It’s brilliantly claustrophobic, and you know it has to be one of the main characters, however unlikely that seems. The solution and the perpetrator are in plain sight. But I didn’t get it till the end.
This Golden Age masterclass of red herrings and tricky twists, first published in 1944, features a tense and claustrophobic investigation with a close-knit cast of suspects.
"You have to reach for the greatest of the Great Names (Agatha Christie, John Dickson Carr, Ellery Queen) to find Christianna Brand's rivals in the subtleties of the trade."
—Anthony Boucher in The New York Times
It is 1942, and struggling up the hill to the new Kent military hospital Heron's Park, postman Joseph Higgins is soon to deliver seven letters of acceptance for roles at the infirmary. He has no idea that the…
I write mysteries set in England and Scotland. That might not seem unusual, but I’m an American, born in and living in Missouri. I’ve loved Britain since my childhood, though I didn’t know why. It wasn’t until a decade ago that I discovered I have many centuries of Scottish, English, Welsh, and Irish in my ancestry. Perhaps that contributed to my choices of reading material (history and mystery novels) as well as the series I write that is based in Derbyshire, England⎯The McLaren Mysteries. Despite my passion for writing, I need police procedural help. I get that from police detective friends in Derbyshire.
This book concerns vacationers at a small hotel in the Scottish Hebrides. A murder is committed. Due to the island and the hotel’s remoteness, the location creates a closed community. Everyone has reasons to be annoyed with others, adding tension and motives for murder. I particularly like the enveloping mood of the wild mountains and fog. Radio broadcasts of real-life events (Queen Elizabeth II’s coronation preparations and Sir Edmund Hillary’s climb of Mount Everest) add a strange link to the outside world for this group of isolated hotel guests. I felt it also underscored the contrast between their forced solitude and stay at the hotel as opposed to Elizabeth and Hillary’s freedom to do what they wished.
The tense, twisty murder mystery which will have you on the edge of your seat, from the author of Madam, Will You Talk?/font size>
'Mary Stewart is magic' New York Times
Following a heart-breaking divorce, Gianetta retreats to the Isle of Skye hoping to find tranquillity in the island's savage beauty.
But shortly before her arrival a girl's body is found on the craggy slopes of the looming Blue Mountain, and with the murderer still on the loose, there's nothing to stop him from setting his sights on Gianetta next . . .
