Here are 20 books that Highway 59 fans have personally recommended once you finish the Highway 59 series.
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As a child in Oklahoma and Texas during the 1960s and 1970s, I remember being told two things: “Oklahoma is OK” and “The Eyes of Texas” were upon me. My grandparents and great-grandparents helped carve the new state of Oklahoma out of nothing within the span of only a few years. For a long time, I accepted the party line, but as an adult, I realized I wasn’t—the picture was incomplete. Underneath the inspiring tales of grit and heroism was something darker. That’s a big part of what my writing is about.
As an ex-pat Oklahoma who writes crime fiction, I’ve long been enamored of my homeboy, the great noir-ist Jim Thomson, whose best novel this is. Like most of Thompson’s work, this is set in Texas, not Oklahoma, but as in all my choices, the world he evokes is indistinguishable, the one from the other.
Lou Ford, the main character, is the kind of guy who makes you want to sleep with both eyes open. A psychotic, small-town Deputy Sheriff, Ford openly mocks the idea of justice; he is a purely malign force, a glad-handing menace who rules his petty fiefdom with the wisdom of Josef Goebbels and the kind-heartedness of Charles Manson. Ford’s first-person narration reads like it’s been scrawled in Magic Marker on the walls of a men’s room in hell. No one did nihilism better than Jim Thomson.
Deputy Sheriff Lou Ford is a pillar of the community in his small Texas town, patient and thoughtful. Some people think he's a little slow and boring but that's the worst they say about him. But then nobody knows about what Lou calls his 'sickness'. It nearly got him put away when he was younger, but his adopted brother took the rap for that. But now the sickness that has been lying dormant for a while is about to surface again and the consequences are brutal and devastating. Tense and suspenseful, The Killer Inside Me is a brilliantly sustained masterpiece…
I write what I call civic noir, crime fiction where the real antagonist isn’t a person but an institution: a courthouse, a precinct, a city hall that already knows how the story ends. I’m drawn to these books because the most frightening thing in them is never the gun; it’s the machinery, the procedure, the quiet way a system decides who’s guilty before anyone enters a courtroom. As a writer, I’m less interested in the villain than in the architecture that produces him. These five novels taught me how to make a building feel dangerous, and how to keep ordinary people from disappearing into the gears.
This is the foundation the rest of us are building on.
Easy Rawlins takes one simple job in 1948 Los Angeles and learns the rules are different for a Black man asking questions in a white city. Mosley makes the menace feel like weather, always in the air and never quite nameable. He gives you a hero who survives a rigged system by reading it more honestly than the people who run it.
I love that the detective work and the social truth are the same work here. It taught me the outsider sees the machinery clearest.
The first novel by “master of mystery” (The New York Times) Walter Mosley, featuring Easy Rawlins, the most iconic African American detective in all of fiction. Named one of the “best 100 mystery novels of all time” by the Mystery Writers of America.
The year is 1948, the town is Los Angeles.
Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend’s bar, he’s wondering how he’ll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money…
I write what I call civic noir, crime fiction where the real antagonist isn’t a person but an institution: a courthouse, a precinct, a city hall that already knows how the story ends. I’m drawn to these books because the most frightening thing in them is never the gun; it’s the machinery, the procedure, the quiet way a system decides who’s guilty before anyone enters a courtroom. As a writer, I’m less interested in the villain than in the architecture that produces him. These five novels taught me how to make a building feel dangerous, and how to keep ordinary people from disappearing into the gears.
Pelecanos is the poet of how a city carries its grief.
A long-cold case pulls three D.C. cops back to the night their lives forked, and what stays with me isn’t the killer. It’s his eye for which deaths get worked and which get filed, who gets remembered and who becomes a name in a closed folder. He writes Washington as a real place with its own gravity, its institutions pressing on ordinary lives.
He taught me you can be quiet and humane and still devastating, and that a city should never be a backdrop. It should be the thing applying the pressure.
A great novel from one of America's finest literary crime writers...
They never found the killer.
All they knew, back in the winter of 1985, was that someone was taking teenagers, killing them and leaving their abused bodies in public parks. Three victims in all, with no link between them except a oddity of their names. They read the same back-to-front - Otto, Ava and lastly Eve.
A lot has happened in the twenty years since. Detectives Gus Ramone and Dan Holiday - two of the leads on the case - have pursued very different paths. Gus has climbed to…
I write what I call civic noir, crime fiction where the real antagonist isn’t a person but an institution: a courthouse, a precinct, a city hall that already knows how the story ends. I’m drawn to these books because the most frightening thing in them is never the gun; it’s the machinery, the procedure, the quiet way a system decides who’s guilty before anyone enters a courtroom. As a writer, I’m less interested in the villain than in the architecture that produces him. These five novels taught me how to make a building feel dangerous, and how to keep ordinary people from disappearing into the gears.
This novel that taught a whole generation of us that the system is the story.
Price gives you the dealer on the corner and the homicide cop working his case with so much patience that you stop choosing a side and start watching the whole machine (corner, precinct, courts) grind everyone down to spare parts. Nobody writes dialogue that breathes like this. It’s no accident he went on to write for The Wire.
I return to this book whenever I need to remember that real authority lives in procedure, in paperwork, in who gets believed, and that you can render all of it without ever slowing the story down.
Rocco Klein, veteran homicide detective, has had enough of life on the edge. When a warm summer night brings yet another drug-related murder, he has no sense that the case is anything special. A young black man steps forward to confess but a little digging reveals that he's never been in any kind of trouble, whereas his half-brother, Strike, runs a crew of street-corner coke dealers 'clockers' in a nearby housing project. Soon Rocco is sure that Strike is the real killer and suddenly Rocco's appetite for the job is back. With a vengeance.
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
This coverage of the crime wave of the Overton gang who burgled, pimped, and committed various crimes up and down I-35 is nonfiction, but hard to believe at times.
The story paints vivid time in Austin with a supporting cast of colorful lawyers, madams, and even UT Tower sniper Charles Whitman. Jesse Sublett, author, musician, painter, journalist, and photographer is basically as close as Austin has to royalty and portrays the events in a rock n’ roll style.
I’d also recommend Jesse’s fiction series staring bass player and skip tracer Martin Fender.
Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk…
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
My favorite book from Texas’ greatest living writer.
I’ve been lucky enough to go from fan to friend of Joe’s and realized a lot of the experiences of his youth ended up in this novel of a young boy in 1958 who discovers a box of love letters that unravel the mystery of a murder that happened decades ago in his small town, but some folks still want silent.
Lansdale captures a time of drive-in movies, early civil rights, and gearing up for times of change. Part Twain’s Huckleberry Finn, King’s The Body (a.k.a. Stand By Me), and all Lansdale.
Young Stanley Mitchell, Jr., enters the underworld of his 1958 East Texas home when he discovers a cache of love letters by a murdered girl, comes to understand how love affects the lives of those closest to him, and experiences his first encounters with blues music, racism, and lost dreams. 20,000 first printing.
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
Crumley used his PI Milo Milodragovich to look at the state “with more guns than cows” in all its colorful insanity.
The search for a runaway pool shark wife puts Milo in the middle of plot involving firearms, drugs, and crimes in various forms as Crumley draws from two of his favorite writers, Raymond Chandler and Warren Zevon.
I got to know Jim near the end of his life and see his broad, loving, cynical personality, and the feelings of his birth state when I read this.
It's business as usual for Milo Milodragovitch, watching a relationship go sour and running a bar whose real business is cleaning some dirty money, until he gets sent off to hunt a drug dealer’s killer. Prodded by the twin motivations of his prickly conscience and his tight finances, Milo sets off on a trip to find the promised land. The end of the road will be where he first began: Montana, where a beautiful woman, a dangerous man, and a motherlode of truth are waiting for their favorite son to come home—bringing with him…
I’ve spent my life recreating myself as many times as Madonna. If things aren’t working, I move on to something new. I’ll go to classes, learn something else, change careers, and struggle the whole way as I look for pieces of life that fit the puzzle of me. It takes me a lot longer to read so when I try to diversify my bookshelf and don’t always stick to my genre (as the professionals tell an author to do). What I “stick to” is finding female characters who struggle and want to give up, but somehow, something deep inside them makes them move forward one step at a time.
Kellye Garrett takes the fake world of reality TV, hashtags, and influencers to circle her reluctant protagonist, Lena Scott. Life and actions are judged to only have value if you have video of it to get clicks. That’s the message that stuck with me.
Lena Scott and her sister Desiree may share a father, but they could not be more different. That father is hip-hop mogul Mel Pierce known in the business as Murder Mel. The family members are in and out of each other’s lives with the same kinds of drama a blue-collar family would have; there are just bigger price tags. Lena steps out and opts for a modest life away from the family fortune and her father’s name.
When Desiree suddenly dies as a fallen from grace celebrity who appears to have overdosed, Lena doesn’t buy it. Even two years without speaking doesn’t erase how well she…
In this "crackling domestic suspense" filled with "wry humor and deft pacing" (Alyssa Cole), no one bats an eye when a Black reality TV star is found dead—except her estranged half-sister, whose refusal to believe the official story leads her on a dangerous search for the truth.
“A mystery that has everything I love most: an intriguing set up; an absorbing storyline that kept me guessing; a satisfying ending; and, most of all, incredibly well-developed characters I kept thinking about long after I finished the book.” ―Jasmine Guillory, Today Show
When I was participating on a crime fiction panel in 2022, we were all asked to recommend books, and I was struck that none of us mentioned a book by a writer of color. Since I knew there were many excellent books by writers of color, I felt this was something I needed to fix. This past summer I decided to make a concerted effort to read more books by writers of color/#OwnVoices, and looked to members of Crime Writers of Color as a starting point. Encouraged by that very exciting read, I went to Bouchercon in Minneapolis where the association Crime Writers of Color was actively promoting the works of their members.
This book is so much more than a police procedural set in the South with a Black female detective as its protagonist. Snowden writes Southern Gothic stories with all the wonderful emotional obsessions and foreboding suspense that anchor that genre. As the child of a serial killer, Detective Raven Burns witnessed many of her father’s deadly attacks, including the murder of Raven’s mother. Haunted by her past, Raven struggles with both real life and personal demons to secure justice for victims in the present.
"Full-bodied and dynamic characters carry this one along a mystery, tying a brutal past with a bloody present that will keep you guessing right up to the finale." - Unnerving Magazine
As a child forced to witness her father's crimes, homicide Detective Raven Burns dedicates every waking moment to proving that she is not her father's child. But when she shoots a suspect who has what turns out to be an unloaded weapon, Raven finds that she must confront both the demons of her past and the stains on her soul in order to stop a killer.
Since I was a tween, I’ve been fascinated by romance. That happily ever after has always taken my breath away. Growing up in Detroit, Michigan, suspense and mystery have always surrounded my life, and intertwining these two elements in my own stories was a norm, but reading them was required and loved. I’m a part of several groups that focus on these genres and I share my readings with them along with my own group on Facebook. I know you will enjoy reading these books as much as I have.
A friend recommended this book to try to get me out of a reading slump, and man, this book had me crawling out fast. I was impressed with just a darn good story that had me from the start.
Not only did this story contain the elements of suspense and romance that I enjoy, but the intricate lives of the characters had me rooting and emotional, wanting more of them by the end. I would highly recommend this to other readers.
*INSTANT NEW YORK TIMES BESTSELLER* One of Barack Obama's Recommended Reads for Summer • New York Times Notable Book • NPR’s Best Books of 2021 • Washington Post’s Best Thriller and Mystery Books of the Year • TIME Magazine’s 100 Must-Read Books of 2021 • New York Public Library’s Best Books of the Year • Goodreads Choice Award Nominee • Book of the Month’s Book of the Year Finalist “Provocative, violent — beautiful and moving, too.” —Washington Post “Superb...Cuts right to the heart of the most important questions of our times.” —Michael Connelly “A tour de force – poignant, action-packed,…