Here are 4 books that Gumballs fans have personally recommended once you finish the Gumballs series.
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I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
Body Music is a lyrical compilation of short stories that play in the city life of Montreal. Each story is a small insight into the intimacy shared between two or more people. Very tenderly the author shows how love and connection are as unique and personal as people are different. It was heart-warming to read trans characters who were just one more way in the myriad of ways of being human.
Julie Maroh's first book, Blue Is the Warmest Color, was a graphic novel phenomenon; it was a New York Times bestseller and the controversial film adaptation by French director Abdellatif Kechiche won the Palme d'Or at the Cannes Film Festival in 2013. Maroh's latest book, Body Music, marks her return to the kind of soft, warm palette and impressionistic sensibility that made her debut book so sensational.
Set in the languid, European-like neighborhoods of Montreal, Body Music is a beautiful and moving meditation on love and desire as expressed in their many different forms?between women, men, and gender non-conformists alike,…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
Stone Fruit is such a pleasure to flip through and enjoy for its beautiful drawings and line work. In the story the main character works through reconciling their relationship with their partner and themselves and their identity. The bond that they have with their niece is about ways of connecting, facing reality, and the cathartic potential of our creative minds. As a queer parent I really connected with how the relationship between the characters is about what we gift each other between generations or among peers, transcending the traditional family structures.
Bron and Ray are a queer couple who enjoy their role as the fun weirdo aunties to Ray’s niece, six-year-old Nessie. Their playdates are little oases of wildness, joy, and ease in all three of their lives, which ping-pong between familial tensions and deep-seeded personal stumbling blocks. As their emotional intimacy erodes, Ray and Bron isolate from each other and attempt to repair their broken family ties ― Ray with her overworked, resentful single-mother sister and Bron with her religious teenage sister who doesn’t fully grasp the complexities of gender identity. Taking a leap of faith, each opens up and…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
This book impressed me because it doesn't shy away from its subject matter. The author tells about her journey and the struggles that pile up when she seeks professional help to transition but meets instead with a therapist who quickly becomes overwhelmed as they unpack trauma and dissociative identity disorder. With a whopping 904 pages, it's intense, but never gets dense. Entry is low-threshold and the quirky characters drew me in in no time. So much so that even when I didn't know who to believe, I was ready to believe anyone. This book perfectly illustrates the problems around gatekeeping of transgender healthcare and its complex intersections with mental health.
A boldly drawn, unforgettable memoir about trauma and the barriers to gender affirming health care. In the winter of 2004, a shy woman named Emma sits in Toby s office. She wants to share this wonderful new book she s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This queer memoir takes us to New York City to explore the unfolding queer life of a child of Bengali immigrants in her difficult decision to divest from parents, colleagues, and friends’ expectations for her life. After taking up architecture as a career and attending Harvard to the delight of her parents, Anjali realizes that her real interest lies in creating graphic literature. This coincides with another journey away from the expected future marriage and family toward exploring and affirming her sexuality and attraction to women. In often spare and simple settings with clean lines that let readers fill in the gaps – for example, with picture frames containing blank canvasses rather than pictures – Anjali creates her own pictures, both as a graphic artist and in imagining her own life.
Love lies at the heart of this fictionalized memoir. A full recipe from Anjali’s father’s repertoire, a culinary interest…
The meticulous artwork of transgender artist Bishakh Som gives us the rare opportunity to see the world through another lens.
This exquisite graphic novel memoir by a transgender artist, explores the concept of identity by inviting the reader to view the author moving through life as she would have us see her, that is, as she sees herself. Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author's daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.
