Here are 100 books that Greer Family fans have personally recommended once you finish the Greer Family series.
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I’m a queer-punk author who’s dreaming and scheming for better days. My award-winning long and short fiction includes my bunker-horror novel (below)and its antidote, Glean Among the Sheaves, which I’m finishing any minute. I’m one of six Canadian authors featured in the writers’ tell-all Off the Record. The self-anointed Can Lit Doula, I teach creative writing and guide stuck manuscripts to their next astounding drafts. I write and practice earth-based witchcraft in Toronto, Canada.
People kept telling me to read it, so I finally did–just in time to include it on this list. Rotating narrators–a White missionary’s wife and four daughters from the American South–represent disparate points of view concerning their family’s move to the Belgian Congo in 1959.
One thing I loved is the attention to historical detail and Kingsolver’s ability to include multiple, complex subplots to better frame the colonial history of this particular time/place and to better demonstrate the insidious ongoing brutality of colonization in terms of inequitable global wealth.
Language and religion play a major role in the plundering resource extraction industries, as do political and military interference, apartheid, and so much more. I loved her exploration of language(s): the power held in naming and misnaming. The youngest daughter sums it up best. “My life: what I stole from history, and how I live with it.” Characters are primarily White…
**NOW INCLUDING THE FIRST CHAPTER OF DEMON COPPERHEAD: THE NEW BARBARA KINGSOLVER NOVEL**
**DEMON COPPERHEAD IS AVAILABLE NOW FOR PRE-ORDER**
An international bestseller and a modern classic, this suspenseful epic of one family's tragic undoing and their remarkable reconstruction has been read, adored and shared by millions around the world.
'Breathtaking.' Sunday Times 'Exquisite.' The Times 'Beautiful.' Independent 'Powerful.' New York Times
This story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959.
They carry with them everything they believe they will…
I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.
It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
I don’t know how much of who we are is determined by genetics, and how much is from the environment, but I enjoy using characters and stories to explore the question. My scientific and medical background allows me to pull from my training, clinical patients, and scientific studies to create stories that explore characters who are at the precipice of a problem and need to fight against their inner beliefs to learn who they truly are. It’s like a chess game, moving the pieces around the board to see which side will win!
This novel took much of America by storm, and I am no different.
I love the voice of Demon Copperhead, which bleeds from the Appalachian Mountains. He has endured more trauma over his early years than most people do in several lifetimes. I think what’s most endearing about this novel is that it is sadly believable. Demon is a boy whose local environment has doomed him before he took his first breath. He’s the kind of boy who is just hoping for a break, and as the reader, all I wanted to do was adopt him and give him a good home.
And of course, it did win the Pulitzer Prize for fiction, so that probably means something!
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
My name is Jake Bittle, and I’m a staff writer at the environmental magazine Grist, where I cover climate change and energy.I’m also the author of The Great Displacement: Climate Change and the Next American Migration, published by Simon & Schuster. In that book I try to explore how human beings interact with nature, and how we try to control nature by building a systematic and inflexible society. This is a theme that has always captivated me, ever since I moved as a teenager to a Florida subdivision built on the edge of a swamp, and it’s something I’m always on the lookout for in fiction as well as nonfiction.
One of the first contemporary novels to take climate change seriously, and still one of the best.
The plot concerns a woman who finds millions of Monarch butterflies living in the valley near her Tennessee home, only to discover once scientists arrive that they have been driven from their native home farther south by the accelerating pace of global warming.
The novel takes a strong political stance but still manages to avoid becoming didactic, a real achievement when you consider how polarizing a subject climate change has become.
"The flames now appeared to lift from individual treetops in showers of orange sparks, exploding the way a pine log does in a campfire when it is poked. The sparks spiralled upward in swirls like funnel clouds. Twisters of brightness against grey sky."
On the Appalachian Mountains above her home, a young mother discovers a beautiful and terrible marvel of nature: the monarch butterflies have not migrated south for the winter this year. Is this a miraculous message from God, or a spectacular sign of climate change. Entomology expert, Ovid Byron, certainly believes it is the latter. He ropes in…
A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
I love every book Barbara Kingsover writes, but this one is special for me because of its deeply personal account of key 20th-century political events.
Leon Trotsky and Frida Kahlo are at the centre of a story that juxtaposes Trotsky’s humanistic vision against the inhumanism of Stalin’s Soviet Union and McCarthyism in the United States. All of this is built around the character-driven narrative of a protagonist unwittingly caught up in the political churn of the times.
**DEMON COPPERHEAD: THE NEW BARBARA KINGSOLVER NOVEL IS AVAILABLE FOR PRE-ORDER NOW**
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010
THE MULTI-MILLION COPY BESTSELLER
'Lush.' Sunday Times 'Superb.' Daily Mail 'Elegantly written.' Sunday Telegraph
From Pulitzer Prize nominee and award winning author of Homeland, The Poisonwood Bible and Flight Behaviour, The Lacuna is the heartbreaking story of a man torn between the warm heart of Mexico and the cold embrace of 1950s America in the shadow of Senator McCarthy.
Born in America and raised in Mexico, Harrison Shepherd is a liability to his social-climbing flapper mother, Salome. When he starts…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because I think of it every time I go up on a ladder. That’s where Doug Merritt, the father of the family on the precipice here, goes when he needs to clear his mind.
I laughed out loud reading it, and more than once I found myself thinking about my own parenting, how the size and scope of that obligation is totally out of whack with your ability to influence kids at a certain point. Like I did with my sons, Merritt does his best to hold things together, and if he doesn’t entirely succeed, he sure as hell doesn’t fail. Maybe that’s enough.
Doug Merit's middle name is damage control. Working in public relations for GE, he's ready for any challenge: a teenaged son who still plays with trains, a thirteen-year-old daughter who hasn't spoken to him in six months, a first-grader who is a little too devoted to animal rights, and a wife who just might have whispered a month or two ago she didn't love him. No problem! He's got it covered.
But the events set in motion on a snowy night will put Doug's carefully constructed version of reality to the test.
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it shouldn’t work. On paper, the notion that an introverted boy’s quasi-imaginary friend is what holds together a dysfunctional family is a lost cause. I wouldn’t encourage anyone to try writing it. But that’s just what Elizabeth Genovise did.
It’s a saga of broken kids clinging to one another in the shadow of broken parents, all hoping against hope for the most unlikely of saviors. I found it sometimes weird and whacky but always profoundly insightful.
Forty-one-year-old Abra, the narrator of Third Class Relics, gathers with her brother and cousins for an uncomfortable dinner the night after her father's wake. No one speaks of the one missing family member-Jeffrey, the youngest cousin-nor of his doppelganger, Rupert, whose name Abra's father cried out just before his death. When the evening comes to a close, Abra finds herself prowling her family's history against her will. As she journeys through their darkest chapters, she is forced to confront the complex role Jeffrey/Rupert played in both healing and destroying them all, as well as the significance of her relationship with…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it nearly made me miss my flight. I bought it after hearing the author at a conference in Baton Rouge and started it at the airport. My mistake. I was sucked in by the story, told in sumptuous, gorgeous prose, about a boy looking for the father he never knew.
But I found its true radiance in the unexpected discoveries he makes about the man who sired him and, of course, himself. (I finished it on a connecting flight late that night out of Houston. Totally worth it).
Harlow tells the story of eighteen-year-old Leslie Somers, who trudges his way through the dark Louisiana backwoods one winter in search of his father. As he walks through the woods, Leslie thinks of the other male role models in his life: the men who took him hunting and fishing, the men who mistreated him.
Since Leslie has been forsaken by his mother, he can only imagine a life with this man he has never met: his father, Harlow Cagwin. But when Leslie finally finds Harlow, the man is not what the boy had expected.
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift.
Eve Prince is done-with college, with her mom, with guys, and with her dream of fashion design. But when her best friend goes MIA, Eve must gather together the broken threads of her life in order to search for her.
When Eve's grandmother, Boop, a retiree dripping with Southern charm, finds out about the trip, she-desperate to see her sister, and also hoping to alleviate Eve's growing depression-hijacks her granddaughter's road trip. Boop knows from experience that healing Eve will require more than flirting lessons and a Garlic Festival makeover. Nevertheless, Boop is frustrated when her feeble efforts yield the…
