48 books like Gentleman Bastard

I love this book because it’s basically The Blues Brothers combined with Dungeons and Dragons. How did Nicholas Eames ever come up with that concept, and make it work so well?

In this breakneck madcap quest, retired hero Clay Cooper sets out to get his original adventuring ‘band’ back together one by one in order to go on one last mission to save his daughter. The jokes had me guffawing, the action had me riveted, and the structuring left me open-mouthed.

It reminds me of Final Fantasy because once again we have an eccentric ensemble cast going on an adventure quest with magic and monsters galore…but not only that: Eames is also on record as a Final Fantasy fan and names some of his characters after Final Fantasy characters, along with sticking in some other Easter eggs related to the franchise. 

The main character in The Kingdom of Liars is the son of a traitor. He lives a life scamming and scraping to get by, and he’s not the most likable of people, on the whole. (I say this with love).

The story is filled with political maneuvering, double dealings, and self-serving characters you’ll find yourself rooting for… even if you also kind of hate them. This book also has one of the cooler magic systems I’ve seen in a while: the price for using magic is memory, so with every bit of magic you wield, you lose a bit more of yourself.

It’s a fascinating tale that is the first book in a trilogy!

This Savage Song is a dark urban fantasy set in a world where violence creates monsters. Not human monsters (though there are plenty of those in the tale), but real, shadowy creatures that roam the cityscape in the wake of murders, assaults, and other dark deeds.

The story is told from dual points of view, with chapters from the viewpoint of a rebellious daughter of the city’s overlord and the point of view of one of the monsters living in the city. Schwab is best known for the Shades of Magic series, but I personally think This Savage Song and its sequel, Our Dark Duet are her best work. 

I must start, of course, with the quintessential pirate fantasy book.

Many might not be aware that the fourth Pirates of the Caribbean film was loosely adapted from this 1987 novel by Tim Powers. Anybody who knows the genre and is asked for a pirate fantasy book most likely brings up this one first. It’s the clearest yet expression of a rarified genre, and something with few imitators.

Expect to be entertained with high-seas piracy, ship battles, jungles, dark voodoo, ghost ships, and zombies as you follow Jack Shandy on the quest for the Fountain of Youth. Blackbeard, played wonderfully by Ian McShane in the film, proves a foreboding antagonist with supernatural designs.

I loved the cyberpunk setting, the tension of not knowing who was going to win, the fact that a lot of characters were activists and belonged to the counterculture, the futuristic technology, and the complexity of the protagonists. I also loved how even though a pair of antagonists represented the side my values go against, I couldn't perceive them as villains. I experienced such intimate and vulnerable moments with them that I ended up accepting them for who they were.

The book explores issues of freedom and slavery, human relationships and the relationship between humans and bots, gender, love, the dangers of patented science, and more. It was very intense, brimming with ideas, feelings, technology (some of which went over my head), science, and action.

I’ve read The Name of the Wind twice, and each time it feels like sitting down to hear a bard weave his life into song.

Kvothe isn’t perfect—he’s brilliant, arrogant, reckless—but that’s why I believe him. Rothfuss’s prose has a rhythm that lingers in my head like music. What struck me most wasn’t the magic or mystery, but the small human moments: playing the lute for coins, hungering for knowledge, fumbling through mistakes.

For me, it was less about answers and more about the act of telling one’s story, flaws and all.

I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.

The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.

It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.

While Terry Pratchett is the king of satirical fantasy, for my money, J. Zachary Pike is doing a great job carrying that banner. Like Kings of the Wyld, this book’s strong suit is its humor and a darn fine cast of eclectic characters. But what shines brightly is its originality. Finding a truly unique fantasy isn’t easy, but Orconomics is. In this book, heroes are essentially corporate employees, and quests are commodified through an adventuring system that prioritizes lucrative returns over noble deeds.

When it comes to the bromance aspect, you can’t beat Gorm Ingerson (a disgraced dwarven hero whose glory days are past) and Brahm (the undocumented goblin who Gorm stands up for). The two make a great pair that easily places them on my favorites list.

I feel there's an art to incorporating the paranormal into a mystery without its presence dismissing the practical aspect of the characters’ investigation. D.J. Machale reached the perfect application of this in this book and its sequel.

While the series is directed at a younger audience, the mystery is superb without much handholding but with gripping action moments and the allure of something deeper that keeps the reader guessing until it all comes to a satisfying conclusion. Especially when paired with the sequel. Side note: tangent storylines that significantly impact each other without the characters realizing it is one of the top five forms of storytelling to me!

I am, and always will be, a sucker for a murder mystery in an isolated location with no escape. That's because of the added suspense of being trapped, knowing there's a killer among you but not knowing who keeps me turning the page.

This book does the scenario justice with its exceptional character introductions, mystery, and suspense. The clues were subtle but also reasonable for me to pick up on, and the conflicting motives made anyone a possible suspect. The dynamic between Ellery and his father never fails to get a chuckle out of me.