4 books like Genevieve Lenard

Who doesn’t love a couple who bicker one moment and save each other’s lives the next? That defines married archeologists Amelia Peabody and Radcliffe Emerson, who fight off graverobbers and murderers while excavating the great tombs of Egypt in 1917. Amelia, who tells this story with wit and panache, is my kind of gal—she fights off villains with her ever-present sturdy umbrella. Dashing Radcliffe is devoted to her and exasperated by her antics. As the series has grown, so has the family. I adore the introduction of their son, Ramses, who is as brilliant, daring, and foolhardy as his parents.  

I have to confess that I discovered these books after watching the TV series Department Q. As soon as I saw "Based on the books by Jussi Adler-Olsen," I knew I had to read them.

The books differ significantly from the TV show. For one thing, they are set in Copenhagen, not Scotland. But the dark humour and clever plots are still the same. In this, the first of the series, Carl Morck—who is recovering from an incident where two of his colleagues were shot—is made the head of Department Q, looking into cold cases.

His first case is the disappearance of a politician who we know is still alive, but no one—apart from Morck—is looking for him anymore, assuming he fell off a ferry.

I have never been to London, but Christopher Fowler makes me want to book a plane ticket. His immense collection of mysteries (18 so far) features adorable curmudgeon Arthur Bryant and his partner, John May, an elderly Lothario. These quirky detectives are the heartbeat of the even quirkier Peculiar Crimes Unit (yes, that’s its real name). I am a big fan of teams in mystery solving—not just because they all help out solving the puzzle but because of the emotions and relationships that become entangled among team members. Fowler delivers fascinating British history, smart humor, and delightful writing. Guilty secret: I would love to reach into Arthur Bryant’s big old coat pockets; they always contain the most outlandish things (many essential to solving the crime, of course).

Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his first Kenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and very believable.