Here are 41 books that Foxheart fans have personally recommended once you finish the Foxheart series.
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I’m an incurable nostalgist and, thanks to early exposure to a curly-haired, scarf-wearing eccentric who travels the universe in a battered old police box, gained an early and ongoing obsession with time travel stories, whether intricately-plotted and filled with brain-tangling paradoxes, or steeped in wistful yearning for days gone by. Young me would, I like to think, be delighted to learn that he would, one day, write a book bursting with both paradoxes AND yearning.
As a six-year-old, I was enraptured by the 1974 BBC TV adaptation of this book, thrilled by the notion that I, too, might one day find a magical route into hidden worlds.
As my reading skills improved, I did just that, thanks to a library card and books like this one. Pearce’s tale is haunting and beautifully told, and there’s an ingenious little piece of time-travel plotting involving a pair of ice skates that blew my preteen mind.
From beloved author Philippa Pearce, this sixtieth-anniversary edition is the perfect way to share this transcendent story of friendship with a new generation of readers. Philip Pullman, bestselling author of the His Dark Materials trilogy, called Tom's Midnight Garden "A perfect book."
When Tom's brother gets sick, he's shipped off to spend what he's sure will be a boring summer with his aunt and uncle in the country. But then Tom hears the old grandfather clock in the hall chime thirteen times, and he's transported back to an old garden where he meets a young,…
As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind.
It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.
I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.
And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
Each summer when I was small, I visited my gram. During the day we would go off on one adventure or another—and at night, she enticed me to sleep with the promise of a story. Most often, she read Grimm’s fairytales to me. Full of darkness and also hope (!), they were, and still are, some of my very favorites. And they inspire what I most enjoy writing and reading.
This eerie tale centers on the most lovable of characters, Eden Leopold, who I would follow anywhere—even into a land of eternal night. Spooky and strange, this story brims with magic and will also be sure to tug at your heartstrings (as it did mine) with its lovely portrayal of family.
Hailed by Newbery winner Kelly Barnhill as "stunning, moving, and marvelously strange," this tale of a young girl who stumbles into a magical realm ruled by a wicked witch is a haunting and ultimately uplifting middle grade novel about grief, family, and decades-old magic.
Still grieving the loss of her mother, Eden visits Safina Island, her ancestral home, as a healing balm. But when she discovers an old sketchbook that belonged to her mother, she's haunted by the images she sees drawn there. A creepy mansion covered with roots and leaves. A monstrous dog with dagger-sharp teeth. And a tall…
I have loved gothic and ghostly tales ever since my grandmother showed me a haunted house and told me stories about fairies and changelings. You can often find me browsing in vintage markets and bookshops searching for the perfect find. I have published two gothic middle-grade novels. Welcome To Dead Town is about 12-year-old Raven McKay, who is put into foster care in the town of Grave’s Pass when her parents disappear. But Grave’s Pass isn’t an ordinary town. It’s a town where the living and the dead live side by side. Read below to find out about the next book in the series.
I was kept at the edge of my seat by the Night Gardener, who stalks the house at night, and by the twisted, magical tree that can grant wishes but can also twist them in such a way as to harm the wisher.
I adored the spine-chilling moments of suspense and intrigue as the siblings Molly and Kip try and overcome the tree and the Night Gardener. I thought the storytelling was so powerful, I felt a nightmare coming on.
Irish orphans Molly, 14, and Kip, 10, travel to England to work as servants in a crumbling manor house where nothing is quite what it seems, and soon the siblings are confronted by a mysterious stranger and the secrets of the cursed house. By the author of Peter Nimble and His Fantastic Eyes.
Each summer when I was small, I visited my gram. During the day we would go off on one adventure or another—and at night, she enticed me to sleep with the promise of a story. Most often, she read Grimm’s fairytales to me. Full of darkness and also hope (!), they were, and still are, some of my very favorites. And they inspire what I most enjoy writing and reading.
In this fantastical story, which is a companion to Furthermore, a lonesome girl scrubs the skin of the dead to ready souls for the afterlife. (Sounds properly spooky, doesn’t it? I love when books give me chills!) And when things are especially dark, as they are for Laylee, friendship shines all the brighter once it is found.
Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way) and she was left as the sole remaining mordeshoor in the village of Whichwood, destined…
Fantasy has been at the heart of our friendship for as long as we can remember. We are Adelina Cortese Pons and Valentina Branca, co-authors of our book, listed below, and our journey as writers began when we were eleven, sharing a single copy of Harry Potter and the Chamber of Secrets, reading it aloud, taking turns with each chapter. That love for fantasy only grew stronger over the years—through travels, studies in International Relations, and countless late-night writing sessions. Today, despite living an ocean apart, we still meet every Friday to write together, crafting new worlds and unforgettable stories because, for us, fantasy is more than a genre—it’s home.
While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.
Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
Sent off to the old Derbyshire farm to convalesce, Penelope Taverner opens a door, steps into the world of the tragic stand-off between Mary Queen of Scots and Elizabeth of England, and hardly notices she's time-travelling.
She's just there, among people who dress a little strangely: accepted as exactly what she is, the daughter of an old family connection, come to stay for a while. Nothing can be done. Mary of Scots can't be saved; nor can the courageous Babingtons. It's intense and a bit voyeurish in a way, because the time-traveller is always going to walk away unharmed from tragedy, if not untouched.
I loved this story when I was a child, but what I notice most as an adult writer is Alison Uttley's method with the time travel: a real innovation. No clunky explanation, no clever rationale. It's all about hints and glimpses, haunting fragments; drifting into each…
A TRAVELLER IN TIME by Alison Uttley is a much-loved time-slip novel which vividly captures life at the time of Mary, Queen of Scots. Penelope lives in the 20th Century, and it is only when she visits Thackers, a remote, ancient farmhouse, that she finds herself travelling back in time to join the lives of the Babington family, and watching helplessly as tragic events bring danger to her friends and the downfall of their heroine Mary, Queen of Scots, whom they are seeking to rescue.
When I was growing up, my mother loved to garden. I remember visiting the nursery with her and being captivated by all the rows of flowers with the gorgeous names: marigolds, cosmos, dahlias, fuchsias. Now I have a garden of my own, and it’s my happy place. It adds color and fragrance to my life, and it keeps me grounded (literally and figuratively) when things are stressful. And as a writer, I find that story ideas often come to me when I’m working in the garden. It’s a constant source of inspiration and delight.
This 1899 book is more memoir than novel, and it’s a charming one.
The narrator lives with her husband (whom she amusingly calls The Man of Wrath) and her small daughters on their German country estate. In the first chapter, she announces that she wants to spend her summer alone in the garden, where she is happiest: “I want to be as idle as I can, so that my soul may have time to grow.”
And although she can’t quite manage a summer of solitude – the demands of her family and tenants require attention—the novel still shows the restorative power of being in the garden. Von arnim’s affectionate odes to her sweet peas and roses will resonate with any reader who loves to stop and smell the flowers.
The Solitary Summer, by Elizabeth Von Arnim - Akasha Classics, AkashaPublishing.Com - May 2nd. - Last night after dinner, when we were in the garden, I said, "I want to be alone for a whole summer, and get to the very dregs of life. I want to be as idle as I can, so that my soul may have time to grow. Nobody shall be invited to stay with me, and if any one calls they will be told that I am out, or away, or sick. I shall spend the months in the garden, and on the plain, and…
When I was growing up, my mother loved to garden. I remember visiting the nursery with her and being captivated by all the rows of flowers with the gorgeous names: marigolds, cosmos, dahlias, fuchsias. Now I have a garden of my own, and it’s my happy place. It adds color and fragrance to my life, and it keeps me grounded (literally and figuratively) when things are stressful. And as a writer, I find that story ideas often come to me when I’m working in the garden. It’s a constant source of inspiration and delight.
There’s a serene, almost dreamlike quality to The Samurai’s Garden which drew me in right away.
On the eve of WWII, a young man recovering from tuberculosis spends the year at his family’s summer home in Japan. There are actually two gardens in the story: one is the lush green one at his home, and the other is a stone garden in the pine forests, tended by Sachi, a woman who has lived with leprosy for decades.
Though both gardens lead to transformation, Sachi’s garden in particular teaches the narrator that as long as there is beauty in the world, there is life. I loved this novel’s luminous writing and vivid sense of place. It’s a beautiful testament to human loyalty and the healing power of nature.
On the eve of the Second World War, a young Chinese man is sent to his family's summer home in Japan to recover from tuberculosis. There he meets four local residents, and what ensues is a classical yet wonderfully unique adventure that seizes the imagination with its clean, simple yet dazzling storytelling.
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death.
The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.
'A masterpiece of construction and utterly realistically convincing' JACQUELINE WILSON
'Author Godden here tries her deft writing hand at landscaping a child's heart' TIME
'It is a sentimental tale, well told, with an unlikely and entirely satisfactory ending' NEW YORKER
Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows' she…