18 books like Famous Five

I’ve selected this title as it’s one of the first Jeeves and Wooster books but, to be honest, you could choose any one; they’re all brilliant.

That goes for pretty much all of Wodehouse’s stories. I realise everyone knows these two characters from the various TV series produced over the years. But they may not have read the books. They should. It’s a great credit to the author that whichever actors portray this pair, and others such as Lord Emsworth of Blandings, the characters are instantly recognisable.

I think PG Wodehouse’s characterisation is superb. I admire his eye for details, not only in appearance but in mannerisms and speech. Wooster – the young gentleman – is wealthy, foppish, dapper, scatterbrained and idle. Jeeves – the gentleman’s gentleman – is someone who “from the collar upwards, stands alone.” That phrase alone tells the reader everything they need to know about the… show more.

Similar to the Mac B books, this is a series about a character who likes to solve crimes/mysteries, and the characters and settings are realistic. Even more wonderful is that the setting is Botswana and it gives much insight into the country and people. I was fortunate enough to be able to read this with my son while travelling with him in Botswana. Perfect.

These are a perfect series of stories for kids transitioning from picture to chapter books. The setting is ‘realistic’ (London and the US) and the characters involve Mac B (Kid Spy) and the Queen of England, among others. That doesn’t sound like a realistic premise but it absolutely works. The first-person narrator is the author reimagining his spy childhood in the 80s. ‘Before Mac Barnett was an author, he was a kid. And while he was a kid, he was a spy.’ The illustrations are perhaps more plentiful, which would make reading by themselves easier – although, again, I read these to my son. The writing is light, humorous with lots of historical referencing, particularly to the old USSR.

An old-time favourite and, like Enid Blyton, a good link between picture and chapter books. It was one of my childhood favourites and one I have read to my son more than once. It is a story of the bullied overcoming the bullies and perhaps something that resonates with kids as the small foxes manage to outwit three rich men and their machines trying to dig them out. The fox characters are anthropomorphised and so outside of the ‘real’ and yet there is a strong sense of place, and although the characters of Boggis, Bunce, and Bean are exaggerated, they are recognisable and realistic.

I thought this book (another by the king of quirk, Backman) was hysterical. The relationship between the precocious seven-year-old main character, Elsa, and her nutty grandmother is laugh-out-loud funny yet poignant.

I also liked that the story included a bit of magical realism, so I was never quite sure what would happen next.

While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.

Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.

Jane Austin is a classical writer of romance and a perfect combination of well-written English. The love Mr Darcy had for Elizabeth was explained with passion through the English language. 

It addressed issues within that time, and the beauty of a girl, as well as the strength of a man, was portrayed well. Jane Austin has other books, but my favorite was this one. 

This is perhaps the best-known and most obvious choice illustrating Nature’s healing powers. Mary, an orphaned girl, moves in with an estranged, reclusive uncle on his isolated English estate. Lonely and bereaved, Mary spends her days exploring both the house and extensive gardens, when one day she discovers a secret garden, locked away behind a wall.

This garden, tucked away and neglected for many years, is the key to Mary’s healing. Through quiet deliberation, she begins to bring the garden back to life and, in turn, finds new life in herself. The healing of the uncle is perhaps the most mystical scene in the book for me, brought about by a quiet moment beside a trickling stream, where he has an epiphany of heart healing. I find the book’s mixture of nature and mystery beguiling.

Though easy to mock for their repetitive plots and outdated societal attitudes, children of all ages devoured Enid Blyton’s mystery stories ravenously, and I was no exception. Blyton was an absurdly prolific writer, and it’s tough to pick a favourite from her expansive catalogue, but if you twisted my arm, I’d have to go with 1945’s The Mystery of the Secret Room. I still remember my excitement as I followed the five intrepid “find-outers” (and dog!) on their quest to uncover the mystery behind a fully furnished room in a supposedly abandoned house, all the while outsmarting the dim-witted local policeman, Mr. Goon. An unusual choice, perhaps, but this book, and indeed Blyton’s entire oeuvre, were a formative influence on me and sparked a lifelong love of amateur detectives.

I suspect one of the reasons I enjoy reading (and writing) about amateur detectives is that I’m instinctively drawn to stories of the dispossessed – those without a voice, forced to take matters into their own hands because the proper authorities won’t listen. Kirstin Innes’ debut novel, about a woman investigating the disappearance of her sex worker sister, is not for the fainthearted: a deep dive into a parallel world that foregrounds the voices of the women who inhabit it and challenges widely-held conceptions about them – namely that they’re all poor, pathetic victims in need of rescuing. Innes’ thorough research shines throughout, and the result is a compelling, informative, and thought-provoking novel that avoids the common tropes associated with the “dead hooker” subgenre of crime fiction.