Here are 8 books that Earthsinger fans have personally recommended once you finish the Earthsinger series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
This book was Beautiful Gowns but make it horror—and I loved every second of it. While more of a thriller than horror, the kills in this one stick with me like its comparative film, Ready or Not did.
Our main character is the resident bad girl of her private school, and once she's lost everything she worked for, she's not afraid to be the villain for the bag. I love reading about ambitious girls who leave scratch marks behind them, and Adina practically plows through the book, telling everyone, "This is not America's Next Top Best Friend." Not afraid to lie, cheat, or steal your man, I’m still glad she got everything she wanted - especially because she took it for herself.
“A brutally honest and haunting cautionary tale…exposing the lie that is meritocracy and the unrelenting toll that being a final girl takes. A bloody tale spun masterfully…a dark delight.” —Faridah Àbíké-Íyímídé, New York Times bestselling author of Ace of Spades
A Black teen desperate to regain her Ivy League acceptance enters an elite competition only to discover the stakes aren’t just high, they’re deadly, in this “spine-chilling thriller” (Publishers Weekly).
You must work twice as hard to get half as much.
Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.
Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Even though Daisy and Brittney are the POV leads of this tale, Ivy – a character without a POV – is the reason I added this book to the list. All three girls are complex leads that seem to wind up tighter before the book delivers a gory, emotional gut-punch of an ending. It's like the embodiment of "they had me in the first half, I'm not gon' lie."
I still feel a swell in my chest when I remember the ending of this book. The feelings of unease I felt as I crept deeper into this haunted house story are just as memorable as the utter relief that ripped through me throughout the epic finale.
I cried, I screamed, and most importantly—I felt a LOT.
The Haunting of Hill House meets Sadie in this evocative and mind-bending psychological thriller following two teen girls navigating the treacherous past of a mysterious mansion ten years apart.
Daisy sees dead people-something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she's completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with…
I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
A great voice, an interesting take on fantasy, a non-white hero and heroine, rich mix of traditional fable and myth, and lots of Austeneque language. This story also takes on colonialism. I loved this book so much. It was a delight from start to finish and I’ve gone on to read other books by this author and I went to a coffee talk at the World SF Convention in Dublin. I was so thrilled to meet her.
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
Magic and mayhem clash with the British elite in this whimsical and sparkling debut.
The Royal Society of Unnatural Philosophers maintains the magic within His Majesty’s lands. But lately, the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman as their Sorcerer Royal and allowing England’s stores of magic to bleed dry. At least they haven’t stooped so low as to allow women to practice what is obviously a man’s profession…
At his wit’s end, Zacharias Wythe, Sorcerer Royal of the Unnatural Philosophers, ventures…
I write romantic fantasy set in twisted versions of the United States because half of me wishes magic were real. (The wiser half thinks that would be a disaster.) Typical contents of my books: banter, antagonist love interests, dramatically billowing coats, twisty plots, and oppressive systems in need of taking down... by bantering antagonists in magnificent coats. I consume books like they’re as necessary as food—and aren’t they, really?
What if a society blessed one form of magic use while all but criminalizing the other? Marnie Becker was born a witch in this world, which puts her forever at the margins. She tries to stay (mostly) out of trouble—until it finds her in a big way.
I absolutely love that magic here has a scent, from a hint of maple syrup to a reek of burnt meat. And that her love interest, Bran, declares, “You are never more beautiful to me than when you fix my math.” And that Marnie starts to believe she could help change her country for the better.
A Recipe for Disaster: Malicious Magic, Shifting Political Powers, and a Forbidden Love
Marnie is a gifted witch—but magic has a mind of its own. Left unrestrained, it will always misbehave. When a demonic curse threatens Lord Bran, a man she’s loved since childhood, Marnie uses her abilities to save him.
After years of suppressing their feelings—knowing the relationship is prohibited by the Church of the Cloth—the two succumb to their passion. Her growing power triggers a dangerous political war—and their relationship is doomed before it begins.
Now the couple must decide whether to keep their love a secret or…
I write romantic fantasy set in twisted versions of the United States because half of me wishes magic were real. (The wiser half thinks that would be a disaster.) Typical contents of my books: banter, antagonist love interests, dramatically billowing coats, twisty plots, and oppressive systems in need of taking down... by bantering antagonists in magnificent coats. I consume books like they’re as necessary as food—and aren’t they, really?
In the nineteenth-century setting of Snowpelled, the proper role of a lady is politics, and magic is the domain of men. Cassandra Harwood is the one scandalous exception—but something’s gone wrong. At the start of the story, all we know is that even the simplest spell is now out of her reach.
The mystery unfolds as Cassandra attempts to outsmart an elf lord and avoid her (absolutely delightful) ex-fiancé, the latter task no less difficult than the former.
I love third-person point of view, but one of the joys of this book is getting the story directly from Cassandra—a woman who became a magician by “utterly refusing to give up on my great plans until the world around me finally saw sense and accepted them.”
In nineteenth-century Angland, magic is reserved for gentlemen while ladies attend to the more practical business of politics. But Cassandra Harwood has never followed the rules...
Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life.
Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I fell in love with the world-building in this series. Perhaps because the main setting itself is a character. Having an estate with a mind of its own (or at least a consciousness that doesn’t understand human propriety) makes for extra fun.
The slow-burn romance in the series kept me addicted because of how it highlighted the deliciousness of mixing magic and manners—in this case, the conflict between the fae making their presence known and human society trying to cope. Oh, and did I mention how many times I laughed while reading?
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
