14 books like Cradle

Set in a Western setting and with a system, it’d be easy to wonder why this book is on this list, but don’t be fooled by its appearances; this story has all the basics of cultivation inside it; it’s simply hidden at first.

This book takes place in a subgenre of books that are commonly referred to as System Apocalypses or LitRPG Apocalypses, where a system arrives on Earth, giving people gamified abilities and bringing monsters that cause an apocalypse to happen.

This one, though, takes place in what is effectively a broad cultivation multiverse and expands what the genre tends to be and can be while also effectively delivering on the core premises of what makes cultivation stories so exciting: the power system. It’s one of the most recommended books in this space, and for good reason. 

Iron Prince is unique in this list (and among most progression fantasy books) in that it takes place in the distant future, on one of many planets in a galaxy at war.

Instead of mystical cores or game or system-imposed leveling constructs, individuals are given CADs (combat assistance devices) that largely do the same thing. 

What I love about the book is that the main character, Rei, is the ultimate underdog. He’s done everything he could to achieve success despite his shortcomings, only to get crushed by peers and a governing system that abhors weakness.

His determination to push on is one of my favorite traits in characters, and ensures that we, the audience, remain engaged, even as he learns to leverage his unique gifts. Smart and never boring, I can’t wait for the sequel!

This last book expanded my view on just what kind of settings a xianxia story could truly inhabit. To Flail Against Infinity takes place in a sci-fi xianxia with space cultivators, planetary settings, and so many new, interesting, and fresh ideas. It expands the genre, mixes it with something new, and brings a fresh take on stories that can sometimes feel a little samey. It was a highly worthwhile read that left me craving more. 

If Cradle is a refreshing take on cultivation done faithfully and to its pinnacle while bringing a new aesthetic to it, then this book does the opposite and dives right into the heart of the xianxia aesthetic, but it does so in a phenomenal way.

It’s nothing new, per se, but that’s okay because what is there is done really well. Honestly, I don’t have too much to say about this book besides just that you should go read it—it’s great. 

Gamified puts its own unique twist on Isekai stories—unlike some of the other stories on this list, rather than the main character getting drawn into the game world, the game world is drawn to the main character.

When his life starts to become more like a video game, Felix has to team up with his friends to figure out what is going on and try to stop it. This setup provides for a number of fun interactions, such as random household items transforming into game powerups and gear.

However, I also appreciated some of the clever ways the characters find to use their powers (and in particular, how they thwart their final boss).

Awaken Online: Catharsis was actually the very first LitRPG/GameLit book I ever read, and from the opening chapters, I was hooked.

It follows the story of Jason, a player in the VRMMO Awaken Online who becomes a powerful necromancer and is positioned as the game’s villain. I think what drew me in the most was how Jason explored his various abilities, always seeking new ways he might be able to modify or use them to his advantage.

He’s also not afraid to push back against what seems to be the established order within the system, utilizing his powers in a variety of awesome and surprising ways. I definitely drew inspiration from how the magic is described here for my own story, even though my story features less overt game elements.

Queen in the Mud is a fun take on an Isekai story that features its protagonist, Naomi, reborn in a game-like world as a salamander.

I appreciated how unique Naomi’s magical abilities felt since they focused around her creature type. She often had to struggle to figure out how to apply her strange powers to best aid her against different threats.

I also liked how her choice of new abilities when she leveled up actually felt like a significant choice, rather than having an obvious option that most people in her situation (as well as readers) would pick. That aspect of choice was something I tried to capture in my own book’s magic system.

Shadeslinger is another LitRPG but belongs to the subgenre known as VRMMO.

The characters are playing a full-immersion, virtual reality MMO, and it’s the game world that provides the framework of levels, skills, and advancement. It’s not a subgenre that I always love, but Shadeslinger and its sequels are an exception to that rule!

I love how the author leans into the game nature of the world to create constant challenges and global threats, and I love the main character’s me-against-the-world attitude, which changes as he finds an in-game family beyond anything he had in the real world.

But my favorite aspect is one unique to this subgenre… as someone who played MMOs for decades, these books do an incredible job of capturing that atmosphere while injecting humanity and pathos into the mix.

This book does one of my favorite things: deconstructing and reconstructing tropes. It goes ahead and uses Jin, the main character, to critique everything that doesn’t quite make sense in the cultivation subgenre, and then it later uses other characters to validate the same tropes it earlier poked fun at. 

On top of that, the contrast between a relaxed Canadian farmer and his ultra-chuuni “death before dishonor” rooster never fails to be delightful.

Life Reset follows a once-dominant player of the game NEO named Oren who is betrayed by his guildmates and ends up trapped as a goblin NPC within the game. This setup allows the story to focus on unique, goblin-specific abilities.

However, what I found most interesting about this book was its emphasis on an almost real-time strategy system of constructing and upgrading various buildings to manage his goblin tribe. While that wasn’t something I drew upon too heavily for my own story, I did love Oren’s frequent creative problem-solving, as well as the ways he tried to bend or even break the game’s systems to his advantage.

I personally feel that stories like this work best when the protagonist has limited options but the freedom to apply those options in a variety of surprising ways.