21 books like Coldfire

I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.

The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.

Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.

When I was twelve years old, I never understood why people cried over the death of a fantasy character. After all, the characters weren’t believable like in fiction.

Then I read the Dragonlance Legends Trilogy, and the ending devastated me for days. I cried, and I understood, and that moment has never left my heart.

This was the first Feist book I read, back then having no knowledge of the enormity of the Midkemia universe and yet to read Magician (oh, to be young again!). Shadow is the first book of the Serpentwar Saga, starting decades after the events of the preceding Riftwar Saga. Aside from the building scope of this book and its introduction to the breathtaking scale of events to come, I can still recall the tone and clarity of the scenes in which young Erik, initially an apprentice blacksmith, is facing the noose. For me, Feist captured the dread and hopelessness of impending nothingness, and…well, I won’t spoil it.

There’s a massive plot developing, as you’d expect from Feist, but I think this was probably the first time I’d appreciated the political and military machinations of large-scale campaigns, and it wasn’t just one day there’s peace, the next there’s war. That sense… show more.

Royce Melborn is exactly the assassin I’d expect: scowling, suspicious, irritable, prone to violence, and scarred by hard life. So, of course, he ends up forming a team with Hadrian Blackwater, the most cheerful, upbeat swordsman in the world.

The “mismatched friends” and “grumpy/sunshine” flavor of the story was immensely fun—reminiscent of all my favorite buddy cop TV shows and movies—and did a wonderful job of anchoring me to these two characters as they fought their way through a world determined to harm them.

The dynamic between the characters is mirrored by a twisty-turny plot, a fascinatingly detailed world, and an epic storyline that kept me turning the pages to find out what came next. 

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

I read it in the 5th grade, and it set the bar for the type of story I yearn to read. It’s such a heartwarming story up until it rips open the heart. It helped me through a difficult loss in my youth.

I found myself walking beside the main character and his two dogs, enduring their cold hunts and sobbing over his loss. 

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.

This book, a classic of the atomic age, knocked my socks off rereading it.

While outwardly about a group of marooned boys scrapping for dominance on a remote island, it also resembled my late-seventies, Southern California prep school.

Some kids survived there by physically menacing playground “Piggy’s.” Others, like decent-hearted Jack, appealed for unity, demanding they keep a fire stoked for potential rescue before the savages within all of them aren’t worth saving anymore.

With that conch and bloody glasses, we appreciate mankind’s warring dualities.

I had been reading Heroic and Epic Fantasy for years, and I’d purposely avoided reading Sci-Fi, convinced that it would influence my burgeoning plot development. I wanted to maintain my plot integrity and not be subconsciously led by other authors in the genre (but of course I couldn’t avoid the influence of the SF I watched on TV). Of course, I was missing out on some great writing. I was enthralled by this story—it combined an undead trope with space opera, as the ‘risen empire’ maintains its territory while facing an external threat from the technologically hybrid Rix. There’s a fascination with the potential of biological augmentation and the place of AI in our distant future (consider ‘immortal’ humans against potentially ‘eternal’ hybrid humans), but this story is extremely character-driven and concerned with the place of the individual. The fictional science was breathtaking and not without research, but what stuck… show more.

There is a "realness" and melancholic quality to this story that immediately drew me in because every element, even the more fantastical ones, felt immensely believable.

Set in the richly detailed and lived-in world of Osten Ard, this first volume in the Memory, Sorrow, and Thorn series by Williams took its time to get the main plot moving, but I want to stress just how much I found that to be a good thing. It truly afforded me an opportunity to get to know the setting and characters intimately, so that by the time the plot kicked into high gear, I was well and truly committed to caring about what happens.

Despite its hefty length, this was one of the fastest page-turners I’ve ever laid my eyes on.