Here are 17 books that An Alix London Mystery fans have personally recommended once you finish the An Alix London Mystery series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.
As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.
Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum - still the largest unsolved art theft in history - one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece - the very one that had been hanging at the Gardner for one hundred years - may…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
No fake this time. Instead, a likely real but unknown Cézanne portrait sends Antoine Verlaque, chief magistrate of the artist’s hometown, Aix-en-Provence, to identify the sitter, authenticate the painting, and find out who killed to get hold of it.
I love how the story shifts back and forth between the present, as Verlaque and his partner track down the thief and murderer, and 1885 when Cézanne meets the woman in the portrait. Longworth beautifully evokes the town’s atmosphere—I could almost smell the delicious aroma wafting from the pastry shop that provides the vital clue.
A beguiling mystery that finds Verlaque and Bonnet searching for a murderer—in a crime tied to Provence’s greatest artist
Provençal Mystery Series #5 Watch the series! Murder in Provence is now on Britbox.
A friend in his cigar club asks Antoine Verlaque to visit René Rouquet, a retired postal worker who has found a rolled-up canvas in his apartment. As the apartment once belonged to Paul Cézanne, Rouquet is convinced he’s discovered a treasure. But when Antoine arrives at the apartment, he finds René dead, the canvas missing, and a mysterious art history professor standing over the body.
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
With the true account of Vincenzo Perrugia’s 1911 theft of the Mona Lisa as its framework, Santlofer’s story follows the thief’s fictional great-grandson on a quest to learn whether the painting now in the Louvre is the original or a brilliant fake.
I’m a fan of all the author’s art-world mysteries, but this one is especially engrossing for its international settings, engaging characters, deftly plotted intrigue, and clever dénouement. As an artist himself, Santlofer weaves in technical details that make the forgery scheme all the more plausible.
ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER! "Unstoppable what-happens-next momentum."-Michael Connelly, #1 New York Times bestselling author "A deliciously tense read."-Ruth Ware, #1 New York Times bestselling author From award-winning crime writer and celebrated artist Jonathan Santlofer comes an enthralling tale about the 1911 theft of the Mona Lisa from the Louvre, the forgeries that appeared in its wake, and the present-day underbelly of the art world. August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
No list about mysteries involving missing art can exclude Aaron Elkins! He is the author of several art history mystery novels revolving around a museum professional searching for artwork lost during World War II. Old Scores is no exception. This borderline cozy mystery novel is a clever art history mystery about forgeries, the worth and perception of art, and what some will do to 'make it' in the art world.
A notorious French art dealer is murdered in this "thoroughly entertaining" mystery by the Edgar Award-winning author of the Gideon Oliver series (Kirkus Reviews).
It is a headline-making story: the discovery of a previously unknown Rembrandt. Rene Vachey, the iconoclastic art dealer who claims to have uncovered it, wants to make a gift of it to the Seattle Art Museum, but curator Chris Norgren is wary. Vachey is notorious in art circles for perpetrating scandalous shams; not for profit but for the sheer fun of embarrassing the elite and snobbish "experts" of the art establishment. And thanks to the web…
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
This complex novel is akin to going on a highly enjoyable journey through gorgeous settings and two distinct periods of time. A multitude of seemingly unrelated stories set in London, Venice, and New York City, slowly intertwine and merge throughout the novel. Revenge drives one character, the desire to reach a higher social standing another, fame and perhaps wealth motivates a third, and memories of better times keep a fourth going. Yet all of their stories are connected via a single painting, Titian’s Man With the Blue Sleeve. To find out how and why, you’ll have to read this captivating novel.
It is 1576 and Venice is in chaos, ravaged by plague and overrun by crime. In the midst of the anarchy we find those brave souls who have chosen not to flee the city. Titian, most celebrated of Venetian painters, his health failing badly. Sebastiano, a gondolier who is the eyes and ears of the corrupted and crumbling city. And Tullia, the most notorious courtesan of the age, who must fight to retain her status as well as her worldly possessions. In the present day, the echoes of what happened centuries earlier still ripple as the lives of ordinary people…
I love to travel, and I’m always interested in the history of where I visit, and what unusual and little known stories I might pick up. I spent twenty-five years working in news and talk radio and I suppose that’s why my fingers itch to get to a keyboard when I hear of an event or someone interesting that I’d like to meet on the pages of one of my books. These days it’s where I spend most of my time, crafting mysteries both national and international and always with sense of suspense, and for good measure, a little whimsey.
When it comes to female heroism and the ultimate sacrifice to save not only lives but those cultural icons that herold times past, I have to say Laura Morelli’s The Night Portrait is top of my list.
Morelli successfully blends two timelines 500 years apart. A 16-year-old girl is mistress to the Duke of Millan and poses for Leonardo da Vinci, in hopes of securing her future.
Five hundred years later, as World War 2 breaks out, another young woman is charged with securing her future by agreeing to see da Vinci’s painting, now in the hands of a Nazi war criminal, is successfully transferred to an American soldier working with the Monuments Men. Security. War. Death. Destruction. Morelli has written it all.
Whether it was 500 years ago or today, Morelli has penned a novel of man’s basic need for peace and security in order to thrive, and of…
The Tattooist of Auschwitz meets Girl with a Pearl Earring in this gripping, dual-timeline historical novel about one of Leonardo da Vinci's most famous paintings and the woman who fought to save it from the Nazis.
'Simply a masterpiece... Fans of Kristin Hannah's Nightingale and Anthony Doerr's All the Light We Cannot See will delight in this epic novel' Lori Nelson Spielman
Between 1939 and 1943, the Nazis attempted to steal every known painting by Leonardo Da Vinci, imprisoning the original owners or worse. This is the story of the most infamous of…
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When a famous stolen Velazquez painting from a truck that went missing back in 1945 turns up in present-day Boston, this fast-paced thriller to recover the rest of the “loot” begins. By me, a girl can’t have too many stories about the infamous Nazi theft of priceless art during WWII. The set-up for this kind of tale is just about the opposite of the intimate crimes in a closed community of “stranded” victims and suspects, which I also really like. Here it’s a big canvas: many works of art stolen during wartime by armies (sometimes during the grunt work, with masterminds off planning). It’s the scope of the art crimes themselves that is so compelling – whole swaths of cultural history disappearing from view. These are enormous crimes with dire implications – even before the murders begin. Loot is the kind of story that slams my heart (in a good…
A long-lost painting stolen by the Nazis turns up at a Boston pawnshop-and leads to a string of murders-in this "fast-paced and tightly written thriller" (The Seattle Times).
In April 1945, the Nazis, reeling and near defeat, frantically work to hide the huge store of art treasures that Hitler has looted from Europe. Truck convoys loaded with the cultural wealth of the Western world pour in an unending stream into the compound of the vast Altaussee salt mine high in the Austrian Alps. But with the Allies closing in, the vaunted efficiency of the Nazis has broken down. At Altaussee,…
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
I was inspired by his descriptions. He captures the ethos of a place, the unique attributes that elevate mere locations to sensory experiences. I use the five senses as a guideline when writing descriptions. Tony Hillerman can place the reader inthe scene, and I’m inspired to accomplish the same thing.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
“All of Tony Hillerman’s Navajo tribal police novels have been brilliant, but A Thief of Time is flat-out marvelous.”—USA Today
From New York Times bestselling author Tony Hillerman, A Thief of Time is the eighth novel featuring Lieutenant Joe Leaphorn and Officer Jim Chee as they find themselves in hot pursuit of a depraved killer.
At a moonlit Indian ruin where "thieves of time" ravage sacred ground in the name of profit, a noted anthropologist vanishes while on the verge…
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When an uncle – presumed killed in the Blitz – turns up after serving nearly forty years in an Irish prison, he tells a story about having been one of the thieves of Picasso paintings stolen from a diamond merchant in Antwerp in 1939. At clever work in this tale are forgers, revolutionaries, and family members out to recover their treasure or their family honor. I have known for a long time that what I love most – more than mere murder mysteries – are what I call novels with murder. For me, the story has to be a beautifully realized bit of writing, and a murder is just one feature of it.
I have always loved Goddard’s style, which is both elegant and readable. And murder, more than a puzzle, becomes a natural part of the lives he depicts. Known for his plot twists, he sets me down in…
Eldritch Swan is a dead man. Or at least that is what his nephew Stephen has always been told. Until one day Eldritch walks back into his life after 36 years in an Irish prison. He won't reveal any of the details of his incarceration, insisting only that he is innocent of any crime.
His return should be of interest to no-one. But the visit of a solicitor with a mysterious request will take Eldritch and his sceptical nephew fromsleepy seaside Paignton to London, where an exhibition of Picasso paintings from the prestigious Brownlow collection proves to be the starting…
