64 books like Ace Science Fiction

Tim Powers is best known for his secret histories. Unlike alternate history, a secret history doesn’t change the publicly known facts of the past; instead, it tells a story hidden beneath those facts that may change their meaning.

Powers takes a strict approach to secret history that I admire and try to follow when I can: all the known historical details (who was where and when and what they were doing) must remain the same. His marvelous novel Declare applies this rule to the Kim Philby spy case. Powerful beings that have been dwelling among us provide the hidden motivations for espionage and treason from WWII into the Cold War.

Declare is fun both for its spycraft and occult details. 

I must start, of course, with the quintessential pirate fantasy book.

Many might not be aware that the fourth Pirates of the Caribbean film was loosely adapted from this 1987 novel by Tim Powers. Anybody who knows the genre and is asked for a pirate fantasy book most likely brings up this one first. It’s the clearest yet expression of a rarified genre, and something with few imitators.

Expect to be entertained with high-seas piracy, ship battles, jungles, dark voodoo, ghost ships, and zombies as you follow Jack Shandy on the quest for the Fountain of Youth. Blackbeard, played wonderfully by Ian McShane in the film, proves a foreboding antagonist with supernatural designs.

For me, the perfect blend of format and content. While I am in awe of the way Burgoyne stitches her story together in non-chronological order, no idle conceit but one that serves her story, introducing characters and themes when it makes most sense for the narrative rather than the chronology, it’s the emotional heart that resonates. Her protagonist is a heel, but I found myself rooting for him because of the emotional authenticity of his heartbreak.

I also relished the concept that, having paid the devil (or what stands for the devil in this tale) to remove every memory of the woman that broke his heart, his journey to try and recover those memories isn’t based on their loss, but rather the realisation that if he doesn’t know who she is, any new woman he meets could actually be her, ready to break his heart all over again. It’s a… show more.

Moorcock is, of course, a legend of genre fiction, but even as I acknowledge this, I have to say my own journey with him as a reader has had its ups and downs. This book, though, finally sealed the deal for me because it is just that good.

Provocative and challenging, especially for readers of faith like myself, it succeeds because it’s so well-crafted that there’s no choice but to acknowledge its genius. I found its alternative portrayal of the life of Christ startling, but played as straight as it is, it never comes over as shocking for shock’s sake. Instead, by reframing the familiar as something totally other, it becomes a jumping off point for critical reevaluation and even reaffirmation. The Greatest Story Ever Retold?

This anthology has many fine stories, including alternate history classics such as Moon of Ice and Bring the Jubilee, but for me, my all-time favorite is Bruce Sterling and Lewis Shiner’s Mozart in Mirrorshades and the combination of 80’s cyberpunk culture with a Baroque aesthetic in an alternate Salzburg.

Some of my favorite stories are the kitchen-sink-type stories that throw everything together, and this story has it. If you want to see time travel, an evil mega-corporation threatening Thomas Jefferson, or Mongol mercenaries, this story’s got them. Personally, I loved seeing a punk rock Mozart (with Marie Antoinette as one of his groupies, no less).

I first discovered Charles de Lint as a fantasy writer, so I was curious to see he had written a cyberpunk novel. While it is a bit of a departure for him, I was very happy to see that he still brings in fantasy touches. I liked this book because of the animist idea of spirits interacting with our world, even when that world is a futuristic dystopia. I also liked there’s a lot of hope, especially in his depiction of the indigenous Claver society.

I loved seeing this world through Gahzee’s eyes as he journeys from his own society (which is sort of proto-solar punk) to the dystopian city, as well as between the human world and the spirit world, as he finds his “Tribe of Three.”

Nina is an absolute master of making things weird in ways that feel utterly natural to the world she’s writing. This starts on page one with ghosts hassling a school janitor about the impending death of two more students, and it never gets one bit less strange.

This is a book about living as an outcast, toxic family, homecoming, found family, and how sudden and unexpected love can be. On the wild side, it’s also about shapechangers, spellcasters of several varieties, ghosts, spirits, the Walking Dead, flying cars, and so much more. Every page is packed with magic, meaning, and the gentle wit that marks all of Nina’s work. If you haven’t read anything of hers, you’re missing out on one of the subtler masters of the genre, and I would recommend this as a great place to start.

This is one of those ideas that I wish I had thought of—Germany of the Thirty Years War meets Appalachia of the early 2000s. I enjoy the unexpected things that time travel can bring, like a high school library being the most potent source of knowledge in the world or a high school cheerleader confronting the king of Sweden. And for those who appreciate historical accuracy, Flint does not disappoint.

For me, it’s the characters that really connect me to the story. There are a lot of them—from both 2000s America and 1630s Europe—but Flint gives enough time that I really feel like I got to know a lot of them.

I stumbled on a used paperback copy of Martha Wells’ first book shortly after it came out in 1993. I was hooked on page one, which begins with a group of musketeers breaking into the home of a foreign sorcerer. From the moment of our main protagonist’s second line, “The point of it is to go and be killed where you’re told,” I knew I was going to adore this book.

The witty: Basically, everything from the banter to the convoluted court politics. The weird: brilliant use of magic that runs from wallpaper that tries to murder our heroes to one of the best faerie castles ever written and beyond. The wild: Constant action filled with double crosses, family drama of the murderous sort, and affairs of state and the more sordid kind. In recent years, Martha has received well-deserved attention for her Murderbot works, and I am incredibly happy… show more.

I read this straight through the day I found it, staying up way past my 13-year-old bedtime. The next day I sweet-talked my grandmother into taking me back to the bookstore to get the sequels. Morgon is an unlikely hero, gentle, practical, a farmer, and a master of riddles…wait a second.

Maybe he’s not so unlikely after all. The book begins with a family argument about the crown under his bed. It turns out Morgon won it in a murderous riddle game with a dead king. He's a man who can't stop asking questions and seeking the answers, no matter the cost, and that very bad habit leads him across the realm in a wild and deadly game of riddles against unknown and ancient enemies. McKillip's prose is witty and beautiful, and so is this book.