92 books like A Jack Ryan Novel

This is the spy thriller that started it all! I was a huge fan of the Matt Damon trilogy and had always been an avid reader, so naturally, I gravitated toward the original novel, which was far better than the film.

Popular action thrillers tend to suffer from one of two diseases: “soldier syndrome,”—meaning the author knows what he or she is writing about but isn’t a master of the language—or from “poser-itis,” which is when the writer is good with a pen but would be too scared to use it to gauge out an eye if he or she had to.

So it’s a rare wordsmith who can understand the deepest, most primal parts of the human psyche and then put it into a literary form that delights the eyes and ears. Ludlum is one such writer.

The ultimate thrill ride from start to finish, Jack Carr’s first novel following Navy Seal Commander James Reece is one to remember. I bought this book at the airport in Anaheim, California, and started reading while waiting for my flight. A few delays and a five-hour flight later I had finished the entire book. It is a fantastically written book, laced with complex characters, government, and corporate conspiracies, and reminds us all why you must always be wary of those closest to us.

I read I Am Pilgrim much later than the other great espionage thrillers, and it rekindled my taste for this kind of novel, which had a major influence on the writing of my book.

Hayes manages to maintain the tension on every page, making it almost impossible to put the book down without knowing what will happen next.

More importantly, he achieves something essential: the struggle between two individuals and their respective power structures becomes a reflection of what it really is—the silent, cold war that ordinary citizens endure without even realizing it exists, a war fought behind our backs and without our knowledge, leaving us adrift among the real forces shaping the world, like a small boat caught in a storm.

I read The Day of the Jackal when I was very young, then I saw the original film, and later I read the book again.

It fascinates me because of the precision with which it is written and because of two ideas that have been essential to my own career as a writer: how a terrorist group, by commissioning the assassination of De Gaulle, could have changed history with a single bullet had the attempt succeeded, and how politics becomes intertwined with violence and terrorism, showing that they are ultimately inseparable and that one cannot exist without the other.

It’s hard to find someone who hasn’t heard of Lee Child’s protagonist Jack Reacher.

I recommend his second in the series to start with because that’s when Child started writing the rest of the series in third person as opposed to first.

Die Trying has Reacher witnessing a kidnapping, and ultimately being captured himself. As Reacher and the woman try to outsmart their captors and uncover the truth behind their abduction, the tension never lets up. 

But what really sets this book apart is how Reacher's military background is woven into the fabric of the story, creating a character whose unique perspective, skills, and experience make him an unstoppable force.

As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.

It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises. 

In The Gray Man, a highly skilled, former CIA operative tries to rescue a colleague and his family while various teams of elite assassins try to stop him however they can.

The Gray Man – AKA Court Gentry or Sierra Six – doesn’t follow anybody’s orders, even those of the most powerful institutions on the planet. Though rebellious, he has morals and only applies his skillset for good.

My favorite part of this book were the action scenes. I liked how big they were, but also the variety of arenas, weapons, and opponents. Also, the Gray Man takes a serious beating through the chapters. Because he’s hurt, but still kicking, the fights progressively get more challenging for him, and more dramatic.

This book is the most recent novel I have read by John le Carré, an author I am deeply drawn to because, usually far removed from fast-paced action, he reflects with remarkable depth on the hidden and opaque forces that truly govern our societies.

Our Game feels like a fitting culmination of his career, and I could not put it down. I read it very quickly, thanks to the precision of his writing and his ability to sustain uncertainty throughout.

The title itself could not be more appropriate: “our game” is the game played by shadow powers, by the hidden face of the state, acting beyond democratic control and with profound disregard for the interests of ordinary men and women.

When I first began writing, the most common critique I got was, “You haven’t found your voice yet.” My editor said my style reminded her of Dean Koontz and gave me this book.

I was hooked from the first rain-soaked scene, where protagonist Spencer Grant checks on a missing friend and stumbles into a rogue government hit squad. Fortunately, Spencer Grant has a robust skill set of his own, along with a very dark secret in his past, his personal “dark river of the heart.”

The book goes a bit wild near the end, but by then, the lap bar is firmly down, and there is no getting off the ride. When I finished it, I declared, “I want to write just like that!”

This is the first of a series of novels based on the Queen & Country comic book, created and written by Rucka and originally inspired by the Sandbaggers British TV series. I love the main character, Tara Chace, and I also love how her stories don’t pull punches when it comes to portraying the politics and bureaucracy that sit on top of the actual operations she’s asked to perform.

The world is complicated, but sometimes, if we can focus on solving one single problem, we can make everything just a little bit better—for a while, anyway. The work never ends, and that’s the real job: to persist despite all horrors.