Anthea T. Piscarik's favorite historical fiction about overcoming loss

In this book, thirteen-year-old Liv captivates my imagination and heart with devotion to her mom, a broken soul that endures her husband’s abuse, endless arguments, and irrational decisions. I’m drawn to coming-of-age stories that tug at memories of my own battles with self-criticism and angst.

As a survival story, the book serves up a double portion that I devour with every turn of the page. At its heart, the story contrasts the expansive, unforgiving, unrelenting climate and terrain of Alaska with a claustrophobic family dynamic. I love stories that weave in the raw beauty of nature and, at times, the brutality of elemental forces beyond our human control. Liv’s embodiment of endurance and the sheer will of the human spirit remains with me. 

I cried at the conclusion of this book. I cried because I cared so deeply for the women I met on their journeys. And I cried to release the anguish I felt from their rejection, constriction, and subjugation to arranged marriages.

I’m so very grateful for a book written by an Afghan with a clear-eyed perspective of his culture and sensitivity to the tyranny of suppression, especially for women treated as unequal to men. But there’s so much more to this book; it is an homage to courage, resilience, and, ultimately, love, namely, a mother’s self-sacrificing love.  The characters conquer despair and limited freedoms with enduring hope. 

In the first few chapters, the book left me cold and unfeeling about the story or characters. But, years ago, I vowed to finish every book I started.

Initially, I felt no connection to Agnes, a strange, eccentric, anti-social protagonist. By mid-story, something happened—an all-in conversion. I felt the very depth of grief that pierced the body and soul of Agnes as a grieving mother. Her ravaged heart touched my own. We all know loss in some form. But the story puts words to an emptiness that, most times, words cannot express. When an author taps into emotions, it’s a remarkable, unforgettable experience.

I’m also fond of any insight into the life of William Shakespeare, and I’ve portrayed a few of The Bard’s iconic roles while in college.

In my teen years, I deemed Great Expectations by Charles Dickens as my favorite novel. In his day, the word “Dickensian” referred to the author’s unwieldy, verbose writing style. Now, the expanded meaning of a “Dickensian world” fills my mind with gloom, foreboding disaster, and eccentric characters that appear either heroic, naïve, or inherently evil.

Recently, I acted in a recording of A Christmas Carol and played all the female roles. The recording airs annually on EWTN Global Radio, so I’m not surprised that a friend gifted me with Samantha Silva’s audio book. But, to my surprise, I’m enchanted by the fictional account of how the novel evolved from its inception. It’s as if the author time-traveled to Dickens’ world and witnessed every scene firsthand! 

I challenged myself by listening to Cloud Cuckoo Land and pondered keeping up with extremely diverse plots and story threads. And yet, I discovered a thrill ride that traversed the past, present, and future! I employed the five senses—sight, sound, touch, smell, and taste—with illustrative descriptions and vivid, vulnerable characters that kept my imagination on full tilt.

I learned that I don’t have to love the characters when I’m empathetic and understanding of their weaknesses, defects, and personal history of suffering and loss. I didn’t miss a beat with all the twists and turns, and a tapestry emerged from divergent storylines. Also, I love it when an author innovates word usage, especially verbs! This book is a descriptive writing master class in a book!