The best anti-heroes of fantasy fiction

In the first novel of Dickinson’s The Masquerade series, Baru Cormorant’s life undergoes a sudden and brutal change as her island nation is subjugated by the Empire of Masks.

Thrust into a world that shuns her local customs, even unto death, Baru begins an arduous and brutal climb through the empire’s ranks via cunning and education. Now an outsider on the inside, her goal is the eventual restoration of her homeland… and nobody is immune to her single-minded ambitions.

This book is delicious as Baru uses the empire’s own rules to beguile, subjugate, and destroy the people above her as she intellectually seduces her way to ascension.

This book begins with a broken and scorned man, his world having come apart at the seams after contracting leprosy.

Donaldson’s craft at portraying Covenant’s bitterness and vitriol toward life because of his plight is a palpable thing. When Covenant is transported to “The Land” by the magic of his wedding ring, which he refuses to part with despite the emotional pain it engenders, he is hailed as the second coming of Berek Halfhand, a legendary figure in this realm he considers to be a dream.

Such is his weakness, confusion, and rage at his plight in the real world, that when he begins to be healed by the natural powers of “The Land,” he ravages the people around him, even as they push him toward their belief that he is there to save them from The Despiser.

This lighter fare is a collaboration of well-known writers (John Brunner, Poul Anderson, Andrew Offutt, Marian Zimmer Bradley, et al) creating a world where each of their characters also live in the other authors’ minds.

In the fantasy city of Sanctuary, their stories and their lives intertwine where a cast of anti-heroes rule the day, or are ruled by the day, depending on the authors’ whims. The cast of morally questionable characters at times are both protagonists and antagonists, depending on the point of view, and each story’s main character and writer.

And though each is, in turn, loved and loathed by Sanctuary and its denizens, the city has no mercy for them.

Scott Lynch builds a lush world where Locke Lamora and his gang of Gentlemen Bastards operate alternately hidden from the civilized and the criminal.

Having grown up an orphan, saved from slavery by a master con artist, he holds Camorr and its denizens in more than some disdain until someone with higher, more devious intentions threatens it all. Camorr and its characters are richly developed as the Gentlemen Bastards find themselves contorting through plot twists as they try to save themselves and the city.

Anyanwu is not your typical anti-heroine. Being both slave to a fiercer power in the immortal Doro, and nearly immortal herself, she walks a fine line of helplessness and fear to the one man that can easily kill her or, more readily, her hundreds of descendants.

Her battle for freedom from the tyranny of Doro and his breeding programs for those with special talents is finally, and only, undone by Anyanwu’s shocking willingness to accept what is anathema to her immortal body and soul.