I am J.R. Hoyle Chair of Music at the University of Sheffield, UK, elected life member of the Academy for Mozart Research at the Mozarteum in Salzburg, and current President of the Royal Musical Association, and I have been writing about Mozart’s life and music for more than 25 years. Across five monographs, my interests have broadened from Mozart’s piano concertos, to stylistic issues in his Viennese instrumental music, to biographical, philological, reception- and performance-related topics in the Requiem and the last decade of his life in general, and (most recently) to a comparative study of his and contemporary Joseph Haydn’s reception in the long nineteenth century.
There are many editions of Mozart’s letters, translated into a number of languages. While Emily Anderson’s Mozart writes more properly and formally than the composer himself actually did, the great value of her book is that it is the most comprehensive among English editions.
It includes all of Mozart’s own letters interwoven with hundreds from his correspondents–above all father Leopold. The ebb and flow of so much of Mozart’s remarkable life is captured in the volume: his views on music, musicians, styles and aesthetics; his dealings with the practicalities of life, including in wide-ranging musical and non-musical interactions with his father; and his emotions and personal and professional relationships. Above all, Mozart–and his correspondents–speak to us directly through their correspondence.
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The reception of Mozart’s life and works captures our collective fascination with him. Deutsch’s Documentary Biography is a foundational volume in this area. It primarily comprises documents about Mozart published during his lifetime (and shortly after his death on 5 December 1791), detailing among other things his status as a child prodigy, the evolving reputation of his instrumental and vocal works, and crazes for his music in the 1780s.
Rather than a single authorial voice emerging as is standard in biographical work, many voices convey similar and different views of the activities and achievements in Mozart’s remarkable career.
This thoroughly researched and engaging biography starts before the beginning of Mozart’s life and ends long after it. In short–and as indicated in the book’s subtitle–it is not simply about Mozart, but about how his life intersects with the lives of those closest to him, namely father Leopold, sister Nannerl, and wife Constanze.
Leopold emerges as central to Mozart’s story until his death in 1787, and Constanze too from their courtship in 1781, through Mozart’s death a decade later and beyond it as well, when she tirelessly developed his legacy and reputation.
The family into which Mozart was born has never received a rigorous contextual study which does justice to the complexity of its relationships or to its interactions with colleagues, friends, and neighbours in Mozart's native city, Salzburg. Most biographies of Mozart have undervalued the many passages in the rich family correspondence which do not bear directly on him. This book draws on the neglected material, most of which has never been translated into English. At the heart of the work is a detailed examination of the letters, supplemented by little-known archival material from the papers of the Berchtold family, into…
This is the first substantial biography of Mozart, published in 1798. It was written by a Czech author, Franz Niemetschek, who probably knew Mozart personally and who certainly attended musical events at which Mozart participated in Prague in 1787 and 1791.
While its tone is hagiographical, it contains important insights on Mozartian aesthetics, as well as invaluable recollections of Mozart in action.
Franz Xaver Niemetschek was born in 1766 in what is now the Czech Republic and came from a musical family, which gave him a deep appreciation and admiration for Mozart's genius. In 1798 he published his biography on Mozart, with a touching dedication to Haydn, the only one written by an eyewitness, and authorized by Mozart's widow Constanze. It is one of the earliest specimens of musical biography which, compared with other branches of biography, was still in its infancy even in the later part of the 19th century. In this sense, it is an important document of music history.…
This is without doubt the greatest Mozart biography of the twentieth century, building directly on the foundation of the nineteenth century’s most important biography (by Otto Jahn).
Abert’s momentous work, exhaustive, incisive, well informed and opinionated in turn, is expertly translated and edited in this eminently readable volume.
Hermann Abert's classic biography, first published in German more than eighty years ago and itself based on the definitive mid-nineteenth century study by Otto Jahn, remains the most informed and substantial biography of Mozart in any language. The book is both the fullest account of the composer's life and a deeply skilled analysis of his music. Proceeding chronologically from 1756 to 1791, the book interrogates every aspect of Mozart's life, influences, and experience; his personality; his religious and secular dimensions; and the social context of the time. In "a book within a book," Abert also provides close scrutiny of the…
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). My biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions.
Giving particular prominence to primary sources, I offer new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career.
