My favorite type of music book. Randall took a motif and carried me along with it throughout the book. Special merit award for Allman Brothers Band content.
Alice Randall, award-winning professor, songwriter, and author with a "lively, engaging, and often wise" (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music.
Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood's "XXX's and OOO's". Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord…
What’s unique about Kaplan’s take is how he organized his book around the careers of Davis, Trane, & Evans—their paths before their convergence and afterwards. There’s also a very interesting subtheme about heroin and jazz culture. This is one I’ll reread for sure.
“A superb book...[Kaplan is] a master biographer, a dogged researcher and shaper of narrative, and this is his most ambitious book to date.” —Los Angeles Times
From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists—Miles Davis, John Coltrane, and Bill Evans—who came together to create the most iconic jazz album of all time, Kind of Blue
The myth of the ’60s depends on the 1950s being the “before times” of conformity, segregation, straightness—The Lonely…
Eddie Hinton was a mystery character to me before I read the book—a supremely talented Muscle Shoals guitarist who was Duane Allman’s first choice as vocalist for his band, before he called Gregg. I have a much better sense of why.
"Eddie was a black man in a white man's body. No one I've ever worked with or heard had any more Soul than Eddie did. His guitar playing was always tasteful, strong and distinctive... his voice grabbed you and pulled you in so that you not only heard it, but you felt it... and were mesmerized by it. He had a beautiful smile... but behind it were some inner thoughts that had to do with some deep pain that he kept hidden inside. That was one of the things that made him so intriguing, so interesting and so powerful."
The origin story of a groundbreaking album The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. In Play All Night!, Bob Beatty dives deep into the motivations and musical background of band founder Duane Allman to tell the story of what made this album not just a smash hit, but one of the most important live rock albums in history. Featuring insights from bootleg tapes, radio ads, early reviews, never-before-published photos, and the memories of band members, fans, and friends, Beatty chronicles how Allman rejected the traditional route of music business success--hit singles and record sales--and built a band that was at its best jamming live on stage, feeding off the crowd's energy, and pushing each other to new heights of virtuosic improvisation. Every challenge, from recruiting a group of relatively unknown but established musicians like Jaimoe and Dickey Betts, touring the American South as an interracial band, and the failure of their first two studio albums, sharpened Allman's determination to pursue the band's truly unique sound. He made a bold choice--to record their next album live at Bill Graham's famous concert hall in New York's Lower East Side, a gamble that launched a new strand of American music to the top of the charts. Four days after the album went gold, Duane Allman was killed in a motorcycle accident. He was 24. This book explores how At Fillmore East cemented Allman's legacy as a strong-willed, self-taught visionary, giving fans of Southern rock and all readers interested in the role of rock music in American popular culture a new appreciation for this pathbreaking album.